Publications
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| 2022 |
Lowery, Rebecca and Subotnick, Ali. Tala Madani: Biscuits, Museum of Contemporary Art, Los Angeles (exhibition catalog). |
| 2020 |
Majoli, Monica, Monica Majoli: Primary Materials for Black Mirror, Walther König Verlag |
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Ben Salah, Myriam and Mackler, Lauren. Made in L.A. 2020: a version (catalog for exhibition), Prestel |
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Campbell, Andy. Bound Together: Leather, Sex, Archives and Contemporary Art, Manchester University Press |
| 2017 |
Coming to Power Exhibitions 2016 & 1993 Archives/Artworks/Interviews, (catalog for exhibition), Capricious |
| 2013 |
Lord, Catherine and Meyers, Richard. Art in Queer Culture: 1885-2010, Phaidon |
| 2011 |
Halberstam, Judith. The Queer Art of Failure, Duke University Press Dijkstra, Bram. Naked: The Nude in America, Rizzoli |
| 2009 |
Rattemeyer, Christian. Compass in Hand: Selections from The Judith Rothschild Foundation Contemporary Drawings Collection (catalog for exhibition), MoMA |
| 2007 |
Garrels, Gary. Eden’s Edge: Fifteen LA Artists (catalog for exhibition), Hammer Museum |
| 2006 |
Iles, Chrissie and Vergne, Philippe. Whitney Biennial 2006: Day for Night (catalog for exhibition), Whitney Museum of American Art |
| 2003 |
Hainley, Bruce and Waters, John. Art—A Sex Book, Thames & Hudson |
| 2000 |
Hammond, Harmony. “Lesbianizing the Queer Field and Other Creative Endeavors”, Lesbian Art in America, Rizzoli |
| 1998 |
Miles, Sara and Rofes, Eric. Opposite Sex; Gay Men On Lesbians, Lesbians On Gay Men (cover image) NYU Press |
| 1997 |
Rugoff, Ralph. Scene of the Crime, MIT Press |
| 1996 |
Smyth, Cherry. “Monica Majoli”, Damn Fine Art, Cassell |
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Bibilography
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| 2023 |
Campbell, Andy, Monica Majoli at Hannah Hoffman Gallery, Artforum, December |
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Searle, Adrian. Hardcore review—a BDSM paradise that leaves you yearning To join in, The Guardian |
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Bobowitz, Joe. London Gallery Weekend: Six Must See Exhibitions, Ocula |
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Conroy, Violet. Hardcore, the New Exhibition Exploring the Darker Side of Sex, AnOther |
| 2022 |
Zimmerman, Amy. No Future? Queer Fiction at the End of the World, Crosscurrents, Issue 1, Autumn/Winter |
| 2021 |
Pogrebin, Robin. The Huntington Gets Hip, The New York Times |
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Krug, Simone. Monica Majoli On Rethinking the ‘Lifetimes’ of Andy Warhol in Aspen, Frieze |
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Vance, Leslie. A Shared Sense of Becoming: Monica Majoli, BOMB Stromberg, Matt. Made in L.A. 2020: a version: Crosstown Traffic, Artillery/Issue 23 |
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Gauthier, Olivia. Made in L.A. 2020: a version, The Brooklyn Rail, July-August |
| 2020 |
Jovanovich, Alex. Monica Majoli: Galerie Buchholz, New York, Artforum, February |
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Simmons, William J.. “Pastness, Present and Future: In Conversation with Monica Majoli”, Artillery, Volume 14, Issue 3, January-February |
| 2019 |
“Best of 2019: The Artists’ Artists”, Artforum, December |
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Kotecha, Shiv. “Monica Majoli Paints the Hunks of Gay Liberation’s Halcyon Days”, Frieze |
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Pagel, David. “Second Thoughts”, The Brooklyn Rail, September |
| 2018 |
Noor, Tausif, Critics Picks, Monica Majoli and Ruth Novaczek: Queer Thoughts, Artforum, May |
| 2016 |
Tarasoff, Sabrina. Monica Majoli: Primary Materials for Black Mirrors, Mousse, Issue 53 |
| 2015 |
Maslansky, Max. “Max Maslansky Photographs Monica Majoli”, Contemporary Art Review Los Angeles, Issue 2 |
| 2014 |
Hudson, Suzanne. “From Landscape to Lacan: On ‘The Symbolic Landscape: Pictures Beyond the Picturesque’ at UC Irvine University Art Galleries”, Text zur Kunst, March |
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Lawson, Thomas. “Open City: Thomas Lawson on Made in LA 2014”, Artforum, October |
| 2013 |
Hainley, Bruce. “Painted Veil, Bruce Hainley on the Art of Monica Majoli”, Artforum, May |
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Holte, Michael Ned. «Best of 2013» Artforum, December |
| 2012 |
Pagel, David. “Languorous works of wonder”, The Los Angeles Times |
| 2011 |
Halberstam, Judith, “The Queer Art of Failure”, Duke University Press |
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Halberstam, Judith, “Black Mirror Interview”, self-published |
| 2010 |
Cotter, Holland. “The Perpetual Dialogue”, The New York Times |
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Saltz, Jerry. “The New ‘It’ Couples”, New York Magazine |
| 2009 |
McFarland, Paulina. Art XX Magazine, Interview, Spring/Summer |
| 2008 |
Asper, Colleen. “Monica Majoli/Air de Paris”, Beautiful/Decay/Issue 5 |
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Sack, Adriano. Monopol, Interview, No. 12 |
| 2007 |
Bedford, Christopher. “Eden’s Edge”, Afterall |
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Holte, Michael Ned. “Eden’s Edge”, Artforum, May |
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Smith, Roberta. “Art/Eden’s Edge”, The New York Times |
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Knight, Christopher. “A City Garden of Earthly Delights”, The Los Angeles Times |
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Harvey, Doug. “Personal Choices”, The LA Weekly |
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Frank, Peter. “Eden’s Edge”, Art Week |
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Knight, Christopher. “A City Garden of Earthly Delights”, The Los Angeles Times |
| 2006 |
Duncan, Michael. “Monica Majoli at Gagosian”, Art in America, December |
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Johnson, Ken. “The Shock Of the Body In Its Messy Corporality”, The New York Times |
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Iles, Chrissie. Vergne,Philippe. Catalogue for Whitney Biennial 2006: Day for Night, Whitney Museum of American Art |
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Stevens, Mark. “The Biennial Question”, New York, February 27, 2006 |
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Plagens, Peter. “The Whitney Biennial 2006”, Art in America, May |
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Kimmelman, Michael. “Biennial 2006”, The New York Times |
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Knight, Christopher. “Biennial? Who Needs It?”, The Los Angeles Times |
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Gopnik, Blake. “Red, White and Bleak”, The Washington Post |
| 2005 |
Cotter, Holland. “Log Cabin”, The New York Times |
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Higgs, Matthew. “The Best of 2005: Log Cabin”, Artforum, December |
| 2004 |
Frank, Peter. “Pick of the Week” (SPF), The LA Weekly |
| 2003 |
McKenna, Kristine. “Can L.A. Get Beyond Cool?”, The LA Weekly |
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Pagel, David. “Family, friends, other ‘Intimates’”, The Los Angeles Times |
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Rimanelli, David. “Brush Stroke”, Artforum, November |
| 2002 |
Cooper, Bernard. “In the Raw”, Los Angeles Magazine, December |
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Pagel, David. “Once Powerful Fetishes Open the Door to Their World”, The Los Angeles Times |
| 2000 |
Hammond, Harmony. “Lesbianizing the Queer Field and Other Creative Endeavors”, Lesbian Art in America |
| 1999 |
Duncan, Michael. “L.A. Portraiture: Post-Cool”, Art In America, October |
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“Art Issues Showing the Work of Monica Majoli”, Art Issues, September/October |
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“Dove va l’arte alle soglie del Duemila?”, tema celeste, Ottobre-Dicembre |
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Knight, Christopher. “Fresh Paint: Post-Boomers Spearhead the Boom”, The Los Angeles Times, Sunday Calendar |
| 1998 |
Johnson, Ken. “Monica Majoli”, The New York Times |
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Schmerler, Sarah. “Monica Majoli+ B. Wurtz+ Jesse Bransford”, Time Out New York |
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Arning, Bill. “Top of the Pops”, Out, February |
| 1997 |
Knight, Christopher. “There’s Evidence of Good Work Found at `Scene of the Crime`”, The Los Angeles Times |
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Darling, Michael. “Crime Seen”, The L.A. Weekly |
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Rugoff, Ralph. “L.A.’s Female Art Explosion”, Harper’s Bazaar, April |
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Knight, Christopher. “Look Out World, Here They Come!”, The Los Angeles Times, Commentary |
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Conti, Rena and Moskowitz, Ivan. “The Salad Years?”, Art Muscle |
| 1995 |
Regnier, Philippe. “Monica Majoli/Air de Paris”, Flash Art |
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Knight, Christopher. “Effeminism”, Art Issues, Summer |
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Duncan, Michael. “Queering the Discourse”, Art In America, July |
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Slonim, Jeffrey. “In with the Out Crowd”, Artforum, March |
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Killian, Kevin. “The Secret Histories”, Artforum, February |
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Bonetti, David. “Looking at Art `In a Different Light`”, San Francisco Examiner |
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Solnit, Rebecca. “Berkeley/Fax: In a Different Light”, Art Issues |
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Knight, Christopher. “Shining a `Different Light` on Both Artist and Viewer”, The Los Angeles Times |
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Wilson, William. “Ideas `Under Construction` at Armory”, The Los Angeles Times |
| 1994 |
Kotz, Liz. “Erotics of the Image”, Art Papers, November |
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Kotz, Liz. “Beyond the Pleasure Principle”, Lusitania, Fall |
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Saltz, Jerry. “L.A. Art”, Art and Antiques, March |
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Kandel, Susan. “Of Mimicry and Woman”, Art Issues, January/February, (cover image ) |
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Knight, Christopher. “`LAX/94`: Where’s the Heat?”, The Los Angeles Times |
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Kandel, Susan. “`Sincerity` Focuses on Beauty, but Not Without Irony”, The Los Angeles Times |
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Frank, Peter. “Art Picks of the Week” ( Sincerity and Other Peccadillos ), The L.A. Weekly |
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Kandel, Susan. “Taking a Collective Look at `The Sacred and the Profane`”, The Los Angeles Times |
| 1993 |
Roth, David. “Chamber of Horrors”, Sacramento News and Review |
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Tallmer, Jerry. “Hitler In Flower, Women’s Power”, The New York Post |
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Hess, Elizabeth. “Basic Instincts”, The Village Voice |
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Knight, Christopher. “The Trappings of Pleasure”, The Los Angeles Times |
| 1992 |
Duncan, Michael. “Body Politics”, Art Issues |
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Pagel, David. “`Body Politics` Exhibition Breaks the Mold at LACE”, The Los Angeles Times |
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Levin, Kim. “Choices” ( Trouble Over So Much Skin ), The Village Voice |
| 1991 |
Huygen, Christen. “So Intense”, Bay Area Reporter |
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Linwood, Elliot. “Every Story Tells A Picture Don’t It?”, The San Francisco Sentinel |
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Helfand, Glen. “Situation”, Art Issues |
| 1990 |
Rugoff, Ralph. “Body Doubles”, The L.A. Weekly |
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Bibliography for Curatorial Projects
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| Andy Warhol: Lifetimes, Aspen Art Museum: |
| 2022 |
Travers, Andrew. An app for art’s sake, The Aspen Times. |
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Walsh, Dominic Anthony. Who was the real Andy Warhol?, Aspen Public Radio |
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Dambrot, Shana Nys. Outside LA: Andy Warhol, Artillery |
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Aspen Art Museum launches digital guide with Bloomberg Connects app, ArtDaily.com |
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Aspen Gallery Guide: Assessing Andy, DuJour |
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Cary, Alice. Kendall’s Off-Piste Wardrobe Includes Some Excellent Boots, British Vogue |
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Carpenter, Cassie. Kendall Jenner rocks high-heeled boots to check out Andy Warhol exhibit at the Aspen Art Museum, Daily Mail |
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Public Radio Tulsa, Live from Aspen: Why Warhol Persists |
| 2021 |
Travers, Andrew. Inside the “Exploding Plastic Inevitable” at the Aspen Art Museum, The Aspen Times |
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Scholl, Dennis. The Winter of Warhol, Aspen Daily News |
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Travers, Andrew. Finding Warhol in ‘After and Before’, The Aspen Times |
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Kuta, Sarah. Visit Aspen this winter to see Andy Warhol’s art and celebrate 75 years of skiing, The Denver Post |
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Travers, Andrew. Why Another Warhol Show?, The Aspen Times |
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Travers, Andrew. Winter of Warhol, The Aspen Times |
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Rosenberg, Karen. For Andy Warhol, Faith and Sexuality Intertwined, The New York Times |
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Reynolds, Jacqueline. Aspen Art Museum’s Andy Warhol brings together valley-wide collaborations, Aspen Daily News |
| Houseguest: Shadows Fall Down, Hammer Museum |
| 2021 |
Shadows Fall Down Spotlights Connections Art Across Time, Distance, UCLA School of Art and Architecture Newsletter (excerpt from Daily Bruin article). |
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Egan, David. ‘Shadows Fall Down’ spotlights connections in art across time, distance, Daily Bruin |
| BLUEWAVE LutzBacher, University Art Galleries, UCI |
| 2020 |
Varandi, Keith., The Bestower, Spike Art Magazine, Pg 176-177. |
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Berardini, Andrew., Lutz Bacher University Art Galleries, UC Irvine, Artforum |
| 2019 |
Barton, Dave., A Sublime Farewell from Lutz Bacher at UCI, OCWeekly. |
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Contemporary Art Daily, Lutz Bacher at the University Art Galleries at UC Irvine |
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Haddad, Natalie., A Show by the Late Lutz Bacher Evokes Something ‘Just Outside of Perception’s Grasp’, Frieze.com |
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Goldner, Liz., UCI Art Galleries Present 3 Provocative Exhibitions, Irvine Weekly |
| Tony Greene: Room of Advances exhibition at the MAK Center |
| 2015 |
Solomon, V. “Tony Greene: Room of Advances,” caa.reviews |
| 2014 |
Wolf, K. “Tony Greene at the MAK Center for Art and Architecture,” Art in America. October |
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Muchnic, S. “Tony Greene,” ArtNews. September 2014. Griffin, J. “Tony Greene,” Art Review. September |
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Dambrot, S.N. “Tony Greene’s Posthumous Triple Feature,” KCET |
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Advocate.com editors. “In the Galleries: Tony Greene,” The Advocate |
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Miranda, C. “The Tony Greene Moment: Art Life After Death,” Los Angeles Times |
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Mizota, S. “Tribute to those not here,” Los Angeles Times |
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Killian, K. “Previews: Tony Greene: Room of Advances.” Artforum. May |
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